*All times are PT. Please check your local listings to confirm dates and times.
Thursday, January 1, 3:00 AM – 4:45 PM
Ring in the new year with the perfect cinematic couple
3:00 AM
DOUBLE WEDDING (1937): Margit (Myrna Loy) who has definite ideas on how to organize her and everyone else’s lives tries to break up her younger sister's relationship to the free-living artist Charlie (William Powell). Charlie’s not actually involved with the sister, but strings Margit along because he is interested in her. Dir. Richard Thorpe
4:30 AM
I LOVE YOU AGAIN (1940): Cheap, stuffy small town businessman Larry Wilson (William Powell) gets conked in the head and when he regains his consciousness remembers that he is in fact con man George Carey who has been suffering from amnesia. Carey decided to go back to his small town as Wilson and fleece the Community Chest and Anti-Vice crusade. When he encounters the wife he married during his amnesiac period as Wilson, who is desperate to divorce him due to boredom, things take a turn. Why? Well, she is played by Myrna Loy. Note: not a noir but our followers love Powell and Loy, so we always give a heads up when their films play. Dir. W. S. Van Dyke II
6:15 AM
THE THIN MAN (1934): Dashiell Hammett’s urbane but fun-loving sleuths Nick and Nora Charles, along with their pup Asta, investigate the disappearance of an inventor in this classic blend of laughs and suspense. Shot in just two weeks by director Woody "One-Shot'' Van Dyke and cinematographer James Wong Howe, this gem set the gold standard for the sophisticated comedy—inspiring five sequels as well as countless inferior imitations. Van Dyke previously directed Myrna Loy and William Powell in Manhattan Melodrama and spotted the terrific chemistry of their off-screen banter between takes. He insisted on casting the pair as Hammett’s hard-drinking super-couple and the glamorous pair became one of the movies' great romantic teams. Shot by the legendary cinematographer James Wong Howe. The film garnered four Oscar nominations, Best Picture, Best actor for Powell, Best Director, and Best Writing, Adaptation for Frances Goodrich and Albert Hackett. Dir. Woody Van Dyke
8:00 AM
AFTER THE THIN MAN (1936): In this delightful follow up to The Thin Man, Nick (William Powell) and Nora (Myrna Loy) return to their home in San Francisco determined to rest up from their previous New York adventures, but Nora’s snooty family unintentionally embroils them in a murder mystery. Joseph Calleia, Sam Levene, George Zucco and a young Jimmy Stewart add to the fun. Writers Frances Goodrich and Albert Hackett received a Best Writing, Screenplay Oscar nomination. Dir. W. S. Van Dyke
10:00 AM
ANOTHER THIN MAN (1939): Another fun outing with hard drinking husband and wife team Nick and Nora Charles (William Powell and Myrna Loy) and their faithful companion Asta. This time their son Nicky, Jr. is along for the ride. In this third installment of the series, Nick and Nora venture out to Long Island to aid Nora’s former business manager Colonel MacFay (C. Aubrey Smith). An old enemy of the Colonel’s, the mysterious Mr. Church (Sheldon Leonard), claims that he’s seen MacFay die in a dream and has come to watch his premonition come true. It does and the police quickly suspect him of McFey’s murder. However, the Charleses soon find McFey was surrounded by quite a few people who benefited from his death. Based loosely on one of Dashiell Hammett’s Continental Op stories, “The Farewell Murder”. Dir. W S Van Dyke II
11:45 AM
SHADOW OF THE THIN MAN (1941): Dashiell Hammett’s hard drinking power couple Nick and Nora Charles (William Powell and Myrna Loy) return for their fourth outing in MGM’s sophisticated and witty whodunit series. This time, the pair investigates a murder at a racetrack with the help of their son Nick, Jr. and their faithful wirehaired terrier Asta. Dir. W. S. Van Dyke II
1:30 PM
THE THIN MAN GOES HOME (1945): Nick Charles (William Powell) takes Nora (Myrna Loy) and Asta to his hometown of Sycamore Springs to visit his parents and celebrate his birthday. A murder and espionage soon disrupt their holiday and Nora’s plans to buy Nick the perfect gift. Dir. Richard Thorpe
3:15 PM
SONG OF THE THIN MAN (1947): This was the last outing for Nick (William Powell), Nora (Myrna Loy) and Asta Charles, they investigate the shooting of a band leader in New York. Gloria Grahame plays a sultry jazz singer whose romantic missteps lead to death, another foreshadowing of her career in noir. Dir. Edward Buzzell
Saturday, January 5, 9:15 PM & Sunday, January 6, 7:00 AM
THE SECOND WOMAN (1950): Architect Jeff Cohalan (Robert Young) has been subject to strange accidents and visions of his dead wife who was murdered on their honeymoon. A new woman (Betsy Drake) enters his life, and the pair are strongly drawn to one another. Carmel-by-the-Sea and Monterey provided the dramatic coastline below his ultra-modern cliff house and its surrounding environs. Dir. James V. Kern
Friday, January 9, 5:00 PM PT – Saturday, January 10, 3:00 AM
Unplug your phone, turn off the lights, and enjoy
5:00 PM
THE LOCKET (1946): Psychiatrist Dr. Blair (Brian Aherene) tries to convince a millionaire (John Willis) that his future bride (Laraine Day) is really Blair’s mentally unstable ex-wife, Nancy (Laraine Day). As Blair tells his tale to the soon to be groom, he reveals that he had received a similar visit by a high-strung artist (Robert Mitchum) after his marriage to Nancy. Is Blair telling the truth or is it the paranoid delusion of a mad man? Dir. John Brahm
7:00 PM
DOUBLE INDEMNITY (1944): Barbara Stanwyck—in a platinum blonde wig—plays Phyllis Dietrichson—the consummate femme fatale who lures insurance salesman and all-around chump Walter Neff (Fred McMurray) into a plot involving murder and insurance fraud. His friend, and insurance adjuster, Barton Keyes (Edward G. Robinson) smells a rat. Nominated for seven Oscars: Best Actress in a Leading Role; Best Cinematography, Black-and-White; Best Director; Best Music, Scoring of a Dramatic or Comedy Picture; Best Picture; Best Sound, Recording; and Best Writing, Screenplay. Dir. Billy Wilder
9:00 PM
THE KILLERS (1946): Expanded from the Hemmingway short story, two professional killers come to a small town looking for The Swede (Burt Lancaster). An insurance investigator (Edmond O'Brien) unravels the tangled skein of events that led up to the hit. Ava Gardner plays Kitty, the woman who led the Swede to his doom. Dir. Robert Siodmak
11:00 PM
MILDRED PIERCE (1945): Joan Crawford won an Oscar for her performance as a woman who builds herself up from grass widow to successful restaurateur in a desperate effort to win the love of the most ungrateful brat in the history of cinema, her daughter Veda, brilliantly played by Ann Blyth. A marriage of convenience, adultery and murder ensue. At least Mildred has the greatest best friend ever, a wisecracking Eve Arden. Based on the James M. Cain story. Dir. Michael Curtiz
1:00 AM
D.O.A. (1950): This classic and rather convoluted noir tells the tale of small-town businessman Frank (Edmond O'Brien) who is slipped a dose of luminous toxin while out on the town in San Francisco. He determines to track down his own killer during the 24 hours that he has left to live. Existential doom and great San Francisco locations abound. Dir. Rudolph Mate
Saturday, January 10, 9:30 PM & Sunday, January 11, 7:00 AM
CRIME WAVE (1954): Steve Lacey (Gene Nelson), a reformed parolee, is forced to hide a wounded former cellmate who seeks him out for temporary shelter after being shot during robbery. After the cops find out Lacey sheltered a robbery suspect, Detective Sgt. Sims (Sterling Hayden) tries to force Lacey to find the robbers. All Lacey wants to do is protect his wife (Phyllis Kirk) and his new life. Dir. André De Toth
Sunday, January 10, 3:00 AM – 7:00 AM
Traveling can be hazardous to your health
3:00 AM
THE HITCH-HIKER (1953): In this gripping suspense piece, a murderous madman (William Talman) on the lam from the law kidnaps two businessmen (Edmond O'Brien and Frank Lovejoy) on a hunting trip. Noir siren Ida Lupino both directed and co-wrote the film, which was produced by The Filmmakers, the independent production company she founded with her then husband Collier Young. Dir. Ida Lupino
4:15 AM
DETOUR (1946): Ann Savage’s ferocious performance as an avaricious drifter known only as “Vera” is at the black heart of this ramshackle affair, often cited as the ultimate tale of noir fatalism, as well as one of the most creative—if impoverished—movies ever made in Hollywood. Tom Neal plays Al Roberts, a hard-luck nightclub piano player who decides to hitchhike cross-country to reunite with his estranged girlfriend. Things steadily go from bad to worse, especially once vixenish vagabond Vera gets her hooks into him. Shot in only a few days on the most minuscule budget, Ulmer’s most famous film is a delirious fever dream of paranoia and dread. Dir. Edgar G. Ulmer
5:30 AM
D.O.A. (1950): This classic and rather convoluted noir tells the tale of small-town businessman Frank (Edmond O'Brien) who is slipped a dose of luminous toxin while out on the town in San Francisco. He determines to track down his own killer during the 24 hours that he has left to live. Existential doom and great San Francisco locations abound. Dir. Rudolph Mate
Tuesday, January 13, 3:00 AM – 7:00 PM
Call in sick or tell them you’re “working from home”
3:00 AM
FLAXY MARTIN (1949): Treacherous show girl Flaxy Martin (Virginia Mayo), seduces a lawyer (Zachary Scott) who wishes to stop defending mobsters. When he finds himself on the way to jail after Flaxy double crosses him, he escapes to find the real culprit and clear himself. Nice girl Dorothy Malone gives him a hand. Dir. Richard Bare
4:30 AM
THE STRANGE LOVE OF MARTHA IVERS (1946): Years after a murder drove them apart, an heiress (Barbara Stanwyck) tries to win back her lost love, Sam Masterson (Van Heflin). Her scion husband (Kirk Douglas), a four-star sot, objects. Lizbeth Scott plays the down on her luck girl that falls for Sam and further complicates things. Writer John Patrick earned an Oscar nod for Best Writing, Original Story. Dir. Lewis Milestone
6:30 AM
THE PEOPLE AGAINST O’HARA (1951): A recovering alcoholic and retired defense attorney (Spencer Tracy) comes out of his “retirement” to save a young man (John Hodiak) framed for robbery and murder by his co-worker, an ex-con. Dir. John Sturges
8:30 AM
JOHNNY ANGEL (1946): A sailor (George Raft) finds his father’s ship abandoned and his father murdered. He returns to port and sets out to investigate. He encounters a couple of beautiful women (Claire Trevor-bringing her serious hat game per usual-and Signe Hasso) as well as a complicated plot, along the way. Dir. Edwin L. Marin
10:00 AM
JOHNNY EAGER (1942): Handsome racketeer Johnny Eager (Robert Taylor) seduces the D.A.'s daughter (Lana Turner) for revenge, but then falls in love with her. Van Heflin steals the film as Eager’s devoted and alcoholic best friend; his performance rightfully garnered him an Oscar nomination. Edward Arnold plays the D.A. Sharp eyed viewers will recognize this as one of the films used in Carl Reiner’s noir parody Dead Men Don’t Wear Plaid (1982). Dir. Mervyn LeRoy
12:00 PM
NORA PRENTISS (1947): In this noir tale, a decorous doctor becomes obsessed with a beautiful nightclub singer, (Ann Sheridan). Interestingly, uber straight man Kent Smith, best known as Irina’s husband in Val Lewton’s Cat People (1942) gets the chance to play a man who will stop at nothing to possess the object of his desire. Dir. Vincent Sherman
2:00 PM
MY NAME IS JULIA ROSS 1945): In this noir based on Anthony Gilbert’s The Woman in Red, a young woman desperate for work, Nina Foch, takes a job in London as a companion to the seemingly respectably Mrs. Hughes, Dame May Whitty. However, she wakes up one morning in Cornwall where everyone insists that she is Marion Hughes, the wife of Mrs. Hughes’ son. Arthur Penn later remade the film as Dead of Winter (1987). Dir. Joseph H. Lewis
3:15 PM
THE TWO MRS. CARROLLS (1947): A sociopathic artist (Humphrey Bogart) decides that he would like to murder his wife in order to marry a flirtatious younger woman (Alexis Smith). However, the current Mrs. Carroll is Barbara Stanwyck, so you know this isn’t going to be so easy, even though Babs is both uncharacteristically slow on the uptake and rather wimpy in this one. Dir. Peter Godfrey
Thursday, January 15, 1:00 AM
WAIT UNTIL DARK (1967): A commercial artist unknowingly brings a stash of heroin into his home. A trio of bad guys (Richard Crenna, Jack Weston and Alan Arkin) trace the dope to him. They trick him into leaving the house, but, unfortunately, his blind wife (Audrey Hepburn) is there alone. They proceed to first try to trick and then to terrorize her while she tries to figure out how to turn the tables on her unknown assailants. Hepburn earned an Oscar nomination for Best Actress for her remarkable performance. Adapted from the Broadway hit written by Fredrick Knott and directed by Arthur Penn. Dir. Terence Young
Saturday, January 17, 9:00 PM & Sunday, January 18, 7:00 AM
DIABOLIQUE (1955): In this twisting and turning French thriller, the wife (Vera Clouzot) and lover (Simone Signoret) of a sadistic headmaster (Paul Meurisse) plot to kill him. When American producer and schlock-master William Castle saw kids standing in line in the pouring rain to watch this film, he decided that making thrillers was the direction in which to take his independent film production career. Dir. Henri-Georges Clouzot
Saturday, January 17,11:15 PM –Sunday, January 18, 3:00 AM
11:15 PM
THE POSTMAN ALWAYS RINGS TWICE (1981): David Mamet wrote this second adaptation of James M. Cain’s novel. Drifter Frank (John Garfield) takes a job with roadside diner owner Nick Smith (Ceil Kellaway). Frank begins a torrid affair with Nick’s younger and extremely sexy wife (Lana Turner). Betrayal, murder, perversion of the law, and divine justice follow. Angelica Huston plays the role originated by Audrey Totter in the first movie. Dir. Bob Rafelson
1:30 AM
THE SPIRAL STAIRCASE (1975): In this loose remake of the 1946 film, which was adapted from Ethel Lina White’s novel Some Must Watch, Helen Mallory (Jacqueline Bisset) has been rendered mute by the trauma of having witnessed her husband and young daughter killed in a house fire. When she visits her grandmother and two uncles she becomes involved in a burgeoning romance with the local doctor (Christopher Plummer). Unluckily for her, there’s a serial killer in town murdering young disabled women. Dir. Peter Collinson
Monday, January 19, 3:00 AM – 9:00 AM
3:00 AM
EDGE OF THE CITY (1957): A black stevedore, (Sidney Poitier) and a white army deserter (John Cassavetes) forge a deep bond while attempting to stand up to union corruption. Ruby Dee plays Sidney Poitier's wife, for the third out five times. Jack Warden co-stars as their abusive boss. Dir. Martin Ritt
7:30 AM
INTRUDER IN THE DUST (1949): Nobel prize winner William Faulkner's 1948 novel is a high-minded piece of crime fiction, written as atonement for the mistreatment of blacks in his native South. Proud African American farmer Lucas Beauchamp (Juano Hernandez, in a memorable portrayal) is a defiant Mississippi landowner accused of murdering a white man. When the county's most prominent lawyer (David Brian) refuses to defend him, it's up to a young boy (Claude Jarman Jr.) to stand up to the vigilantes and help solve the crime. Dir. Clarence Brown
Tuesday, January 20, 7:00 PM
A PLACE IN THE SUN (1951): This sublime adaptation of Theodore Dreiser’s An American Tragedy is noir to the core, despite the gloss and glamour Paramount ladled on to make it a huge hit. A blue-collar social climber (Montgomery Clift) falls for a gorgeous society debutante (Elizabeth Taylor, at the peak of her beauty), but his plain, prole, and pregnant girlfriend (Shelley Winters) stands in the way of his personal American Dream. It won Oscars for best costumes, score, editing, cinematography, screenplay, and direction, but lost best picture to An American in Paris. Dir. George Stevens
Wednesday, January 21, 5:30 PM
THE TAKING OF PELHAM ONE TWO THREE (1974): Lieutenant Garber (Walter Matthau) races the clock to thwart the plot of four criminals Blue (Robert Shaw), Green (Martin Balsam), Grey (Hector Elizondo) & Brown (Earl Hindman). They’re holding a subway car full of passengers hostage and threaten to shoot one each minute until a one-million-dollar ransom is fully paid. Dir. Joseph Sargent
Wednesday, January 21, 8:00 PM
MEAN STREETS (1973): In this neo-noir, set in Little Italy, debt collector Charlie (Harvey Keitel) is mired in Catholic guilt, while his friend Johnny Boy (Robert De Niro) desires the mafia lifestyle. When John Boy gets in over his head, he turns to for help with disastrous results. Director Martin Scorsese stated that he based the dynamic of the pair on Bing Crosby and Bob Hope’s characters in their “Road Pictures”. Dir. Martin Scorsese
Thursday, January 22, 12:00 AM
THE AMERICAN FRIEND (1977): Tom Ripley (Dennis Hopper) embroils terminally ill Jonathan in a mafia assassination plot after he snubs him at a party. Based on the novel Ripley’s Game. Ganz is terrific, the casting of Dennis Hopper as Tom Ripley remains one of life’s great mysteries Look out for a cameo by legendary American director Sam Fuller and six more directors, all playing criminals. Dir. Wim Wenders
Thursday, January 22, 10:30 AM – 5:00 PM
Is Margaret Rutherford anything like our favorite old lady with a knack for murder? No, but she’s a delight in these fun little mysteries
10:30 AM
MURDER SHE SAID (1961): When nobody believes she witnessed a murder, Miss Marple (Margaret Rutherford) investigates herself along with her friend Jim Stringer, played by Rutherford’s husband Stinger Davis. Based on Agatha Christie’s 4:50 from Paddington. Trivia: Joan Dixon has a small part in the film and would go on to become the definitive Miss Marple in the BBC series that aired from 1984-1992. Dir. George Pollock
12:00 PM
MURDER AT THE GALLOP (1963): Miss Marple (Margaret Rutherford) suspects foul play when two accidental deaths in a family in quick succession leave behind a considerable fortune for the three remaining members. Robert Morley plays one of her chief suspects. As in the rest of the series, her friend Jim Stringer, played by Rutherford’s husband Stinger Davis. Very loosely based on based on Agatha Christie’s After the Funeral which featured Hercule Poirot and not Miss Marple. Dir. George Pollock
1:30 PM
MURDER MOST FOUL (1964): Elderly sleuth Miss Marple joins a small-town theatre to investigate a murder of a landlady. The case has already been closed by the police, but she believes that the lodger convicted in the crime is innocent. As in the rest of the series, her friend Jim Stringer, played by Rutherford’s husband Stinger Davis. Extremely loosely based on Agatha Christie’s Mrs. McGinty's Dead which is actually a Hercule Poirot story (for the second time in the series) and is a jolly good read (and pretty dark). Dir. George Pollock
3:15 PM
MURDER AHOY (1964): Miss Marple (Margaret Rutherford) takes to the seas to investigate murder on a naval training ship for delinquent boys. As in the rest of the series, her friend Jim Stringer, played by Rutherford’s husband Stinger Davis. The screenplay borrowed only one element from Agatha Christie’s Miss Marple novel They Do It with Mirrors. Dir. George Pollock
Friday, January 23, 7:00 AM
HIGH WALL (1947): Quintessential postwar noir! Brain-damaged vet Robert Taylor confesses to murdering his unfaithful wife and is sentenced to a sanitarium. His doctor (sexy Audrey Totter) gradually realizes he might not be guilty. Taylor gives his best performance ever in this neglected gem, which glistens with director Curtis Bernhardt's feverish rain-soaked noirscapes. Dir. Curtis Bernhardt
Saturday, January 24, 10:45 PM
THE BIG COMBO (1955): Lt. Leonard Diamond (Cornel Wilde), a police detective, tries to convict a mob boss Mr. Brown (Richard Conte) by going to the man's suicidal girlfriend Susan (Jean Wallace). Diamond’s obsessive desire to catch Mr. Brown may be due to his love for Susan. Cinematographer John Alton provided the iconic noir visual style of the film. Dir. Joseph Lewis
Saturday, January 24, 7:00 PM &
Wednesday, January 28, 12:00 PM
WHAT EVER HAPPENED TO BABY JANE? (1962) A crazed, aging star (Bette Davis) torments her sister (Joan Crawford) in a decaying Hollywood mansion. This beautiful Hollywood gothic noir features a duet of superbly fearless performances by two legendary actresses. Nominated for five Oscars, but only one win, Best Costume Design, Black-and-White for Norma Koch Dir. Robert Aldrich
Saturday, January 24, 9:00 PM & Sunday, January 25, 7:00 AM
SHIELD FOR MURDER (1954): A crooked detective (Edmond O’Brien) kills and robs a criminal, so that he can buy his girlfriend their suburban dream house. He soon finds himself under suspicion by his fellow cops, the mob and a crime reporter. Dir. Howard W. Koch
Sunday, January 25, 11:15 PM
PITFALL (1948): This independently produced gem is one of the most realistic explorations of adultery produced in 1940s. Bored suburbanite insurance salesman (Dick Powell) drifts into a dalliance with an anti-femme fatale, hard-luck model Mona (Lizabeth Scott), only to find his life and family threatened by an obsessive private eye (Raymond Burr) and a jealous ex-con. Director de Toth had the gifted Bill Bowers rewrite the script. The result is truly believable noir—a wrenching tale of repressed lust and suburban ennui. Dir Andre de Toth
Monday, January 26, 9:00 PM
THE MALTESE FALCON (1941): How do I love this movie, let me count the ways… In arguably the first, and greatest, film noir, hard-boiled detective Sam Spade (Humphrey Bogart) gets caught up in the deadly search for a priceless statue. Along the way he tangles with a murderous liar (Mary Astor), a foppish thug (Peter Lorre) and an obese mastermind (Sydney Greenstreet). Director John Huston brilliantly adapted it from the Dashiell Hammett novel and earned an Oscar nomination for Best Writing, Screenplay. The film also garnered nominations for Best Picture and for Sydney Greenstreet, in his film debut, Best Actor in a Supporting Role. Dir. John Huston
Thursday, January 29, 11:00 AM
PARTY GIRL (1958): Don’t miss this great Nick Ray film, not available on DVD, a gritty bringing down the racket story featuring an interesting love story between a beautiful showgirl (Cyd Charisse) and a gangster’s mouthpiece (Robert Taylor) set in Chicago during the mob infested nineteen twenties. See if you can see spot the scene Brian De Palma stole for The Untouchables. Dir. Nicholas Ray
Saturday, January 31, 12:45 PM
RANSOM! (1956): The father of a kidnapped boy (Glenn Ford) contends with the police, the press and his family as he struggles to find the best strategy to recover his son safely which may or may not include paying the ransom. Remade in 1996 with Mel Gibson in the lead. Dir. Alex Segal
Saturday, January 31, 9:00 PM & Sunday, February 1, 7:00 AM
TALK ABOUT A STRANGER (1952): Small town preteen Billy Gray suspects that his new unfriendly neighbor Matlock poisoned his puppy. His accusation sets off a maelstrom of suspicion and hostility towards Matlock with dangerous results. Cinematography by the renowned noir cinematographer John Alton. Dir. David Bradley
Saturday, January 31, 11:00 AM – Sunday, February 1, 3:00 AM
11:00 PM
THE NANNY (1965): Before the studio exploded on the world cinematic stage with its legendary cycle of horror films mostly starring Peter Cushing and Christopher Lee, Hammer Studios produced a series of excellent, low budget thrillers, often featuring American stars on the wane. This is one of the best. Bette Davis plays the title character, an aging nanny now taking care of the children of her old charge. To be more accurate, looking after the one remaining child, Bobby, recently released from a home for disturbed children, who claims Nanny was responsible for his sister’s drowning two years ago. Too bad no one believes him. Dir. Seth Holt
1:00 AM
DEAD RINGER (1964): In this late era noir, Bette Davis stars as twins, the rich and mean Margaret and the other poor and put-upon spinster Edith meet after many years at the funeral of Margaret’s husband Frank. Edith snaps when she discovers from Margaret why Frank dumped her and married Margaret instead. Edith shoots her sister, takes her place and tries to make “Edith’s” death look like a suicide. Edith's boyfriend, police sergeant Jim Hobbson (Karl Malden) and Margaret's lover Tony (Peter Lawford) soon complicates things. Dir. Paul Henreid
Myrna Loy and William Powell star in Double Wedding on January 1
The Thin Man returns January 1
Another Thin Man screens January 1
Gloria Grahame in Song of the Thin Man on January 1
Eddie Muller presents The Second Woman on the January 4-5 edition of NOIR ALLEY
Robert Mitchum and Laraine Day star in The Locket on January 12
Fred MacMurray and Barbara Stanwyck in Double Indemnity on January 9
Edmund O'Brien on the run in San Francisco in D.O.A. on January 10 and 11
Eddie Muller presents Crime Wave on the January 10-11 edition of NOIR ALLEY
Tom Neal and Ann Savage star in Detour on January 10
Spencer Tracy stars in The People against O'Hara on January 13
Nina Foch in My Name Is Julia Ross on January 13
Barbara Stanwyck and Humphrey Bogart in The Two Mrs. Carrolls on January 13
Eddie Muller presents Diabolique on the January 17-18 edition of NOIR ALLEY
John Phillip Law and Jacqueline Bisset in The Spiral Staircase on January 18
Sidney Poitier and John Cassavetes in Edge of the City on January 19
William Faulkner adaptation Intruder in the Dust screens January 19
Shelley Winters and Montgomery Cliff in A Place in the Sun on January 20
Harvey Keitel in Martin Scorsese's Mean Streets on January 21
Dennis Hopper in The American Friend on January 22
Margaret Rutherford in Murder at the Gallop on January 22
Margaret Rutherford in Murder Most Foul on January 22
Margaret Rutherford in Murder Ahoy on January 22
The Big Combo lensed by John Alton screens January 24
Joan Crawford in Whatever Happened to Baby Jane on January 24 and 28
Eddie Muller presents Shield for Murder on the January 24-25 edition of NOIR ALLEY
The Maltese Falcon screens January 26
Donna Reed in Ransom! on January 31
Eddie Muller presents Talk about a Stranger on the January 31-February 1 edition of NOIR ALLEY
Bette Davis and Karl Malden in Dead Ringer on January 31